(Alkmaar/Uitgeest 1571-1638 Amsterdam)
AN EXCEPTIONAL AND RARE PAIR OF 9-INCH TERRESTRIAL AND CELESTIAL GLOBES.
Amsterdam, dated 1602, but published after 1621
Terrestrial globe
Diameter: 23 cm ( 9 inch.)
State : III
In cartouche:
Production number: 4
Celestial globe
Diameter: 23 cm ( 9 inch.)
State: II
In cartouche :
Production number: 12
The globes are mounted on their original four-legged, ebonied oak, Dutch stands, which support the wooden horizon ring. The latter is covered with copper-engraved paper and has a varnished surface coating. The legs are connected by two crossbeams that support a circular baseplate with a central support for the meridian ring.
Provenance: France, private collection
REFERENCES
Dekker, E., Globes at Greenwich: a Catalogue of the Globes and Armillary Spheres in the National Maritime Museum, Greenwich, Oxford & Greenwich 1999, pp. 278-285.; Krogt, P. van der, Globi Neerlandici: the Production of Globes in the Low Countries, Utrecht 1993, pp. 501-505.; Krogt, P. van der, Old Globes in the Netherlands, Utrecht 1984, pp. 58-60.; Ibidem, pp. 4 and 6 (2).; Pelletier, M., Cartographie de la France et du monde de la Renaissance au siècle des Lumières, Paris 2001.; Pelletier, M., ‘Les Globes dans les collections françaises aux XVIIe et XVIIIe siècles’, in ibidem, pp. 30-44.; Stevenson, E.L., Terrestrial and Celestial Globes, 2 vols., New Haven 1921, vol. 2, pp. 27-30.
The globes are mounted on their original four-legged, ebonied oak, Dutch stands, which support the wooden horizon ring. The latter is covered with copper-engraved paper and has a varnished surface coating. The legs are connected by two crossbeams that support a circular baseplate with a central support for the meridian ring. On each globe, there are five cartouches and on each globe there is an engraved cartouche signed and dated: Guilielmus Janssonius Blaeu | Anno 1602.
There are presently only 19 such pairs of globes recorded. These 9-inch globes are among the rarest, since there are very few known specimens compared to Blaeu’s smaller or larger sizes (4, 6, 13.5 and 26 inches). Going by the very few that have survived it can be assumed that Blaeu published very limited editions. The manufacturing process was very expensive and of great complexity.
Both globes are dated 1602 but were published after 1618, as they include the discoveries of Schouten and Le Maire (1615-1617). Both globes are signed Guilielmus Janssonius Blaeu, a surname he started to use around 1621 and therefore published after 1621.
Blaeu’s terrestrial globes were highly valued and much in demand, due to the care with which they were prepared, the efforts to incorporate up-to-date information about the latest discoveries, and the loxodromic lines, which made them particularly valuable to navigators.
His celestial globes were appreciated for the fact that they incorporate the most recent astronomical data, and because Blaeu had been the pupil of Tycho Brahe. They also found favour because Blaeu was known to be an astronomer and mathematician of distinction. The astronomical content combined with the new drawing style made this celestial globe the best and most modern of its time.
The terrestrial and celestial globes together are a visual representation of the cosmos and include the latest discoveries. As a producer of globes, following the tradition Blaeu made his globes in pairs: a terrestrial and a celestial one. Celestial and terrestrial globes were always sold in pairs until the nineteenth century.
OTHER KNOWN EXAMPLES
This set of terrestrial and celestial globes arein the same states and comparable to the pairs of globes in the collections of the following museums, although on some globes the fabrication number is illegable.
Amsterdam, Het Scheepvaartmuseum, inv. no. B 25, Terr.: 3b (‘fabr. no. 7’), Cel.: 2 (‘fabr. no. 4’)
Rotterdam, Maritiem Museum, inv. nos. M475 and M473, Terr.: 3b (‘fabr. no. -’) Cel.: (‘fabr. no. 4’)
Greenwich, National Maritime Museum, inv. no. GLB0083, Terr.: 3b (‘fabr. no. 23’) Cel.: 2 (‘fabr. no. -’) Idem, inv. nos. GLB0152 and GLB0151, (‘fabr. no. 1’) Terr. 3b (‘fabr. no. 1’) Cel.: 2 (‘fabr. no. 2’)
Brussels, Koninklijke Bibliotheek Albert I, inv. no. IV 10189, Terr.: 3b (‘fabr. no. -’) Cel.: 2 (‘fabr. no. XXIII’)
Dresden, Staatliche Kunstsammlungen, Mathematisch-Physikalischer Salon, inv. no. E I 34 (formerly Halle, Hematmuseum), Terr.: 3b (‘fabr. no.-’) Cel.: –
The making of globes
Before 1680 there was actually no written manual for making globes. The skill was learned in practice. The most difficult part was the spherical form. A semi-spherical mould made of wood or metal was coated in fat or oil and then covered with many layers of papier-mâché. The trick was to keep the outer surface as smooth as possible. When both halves were ready, a wooden axis was fitted and the halves were brought together.
The sphere now had its definitive shape and a final layer of plaster ensured the required smooth surface to which the segments of the chart were applied. This latter was extremely painstaking and time- consuming work because the long strips of the chart had to fit together to the nearest millimetre. Once the chart had been entirely or partially coloured, a layer of varnish was applied by way of protection. The meridian ring around the globe was supported by a single central column.
A biography of Willem Janz. BlaeuVisit to our gallery
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